SHOLAY

A retired police officer, Thakur Baldev Singh gets two convicts, Jaidev and Veeru, to capture Gabbar Singh, a bandit chief who has been terrorizing the small village of Ramgarh. Gabbar had massacred Thakur's entire family and even had his arms cut off. Unable to take revenge himself, Thakur Baldev Singh recruits Veeru and Jaidev, both small time crooks. Both agree to capture Gabbar Singh live and hand him over to Baldev Singh. Things do not go as planned. Veeru falls for the local horse carriage driver Basanti; and Jai starts to have romantic feelings for Baldev Singh's widowed daughter-in-law, Radha. To make matters worse, Gabbar has sworn to kill both Jai and Veeru, and holds Basanti as a hostage, to lure them to him. But Jaidev and Veeru was so clever that no bandit could outwit the two.

SADMA(1983)

A young woman receives a head injury in an automobile accident and becomes like a six-year-old. She leaves the hospital unattended and ends up in a brothel. She is rescued by a young man who takes her to his home in the mountains. Meanwhile, her parents and the police are looking for her, and just as she is cured, they come to take her back to Bombay

Chalti Ka Naam Gaadi (1958)

The Sharma brothers consist of former boxer, Brijmohan; Jagmohan, an Electrical Engineer; and Manmohan, a Mechanic. The brothers operate a garage under the name of 'Mohan Brothers'. Brijmohan had been in love with wealthy Kamini, but she decided to marry someone, and since that day, a heartbroken Brijmohan hated all women and instructed his brothers not to get involved with them. Ten years later, Jagmohan and Manmohan meet and fall in love with wealthy Sheela and her friend, Renu respectively. They continue to meet on the sly so as not to incur their brother's wrath. Then Renu's marriage is arranged with Prakashchand, the brother of Raja Hardayal Singh. When Manmohan meets Prakashchand he recognizes him as a killer. Before he could expose him, Renu, Manmohan, and then subsequently Renu's dad, Kishinchand, are abducted. The motive for this abduction is to force Renu to marry Prakashchand so that Raja can inherit Kishinchand's wealth. Before that could happen, the tables are turned, and history is re-visited when help arrives from an unexpected source.

Benaam (1974)

While driving to a party Amit Srivastav (Amitabh Bachchan) and his wife Sheela (Moushumi Chatterjee) watch a man getting stabbed. Amit stops to help the man, and even takes him to a nearby hospital. The man is Mr. Verma, a reporter, about to expose an influential and wealthy person. A few days later, Amit starts to receive telephone calls from a man, warning them, and asking them for information Mr. Verma had with him. Amit does not know about this information, and decides to keep it to himself. Strange incidents strange troubling the couple, And then Amit and Sheela's son, Rajoo (Master Bunty) disappears. No one has any clue to where Rajoo is.

Suhaag (1979)

Abhimaan (1973)

Subeer Kumar (Amitabh) is well on his way to becoming India's top pop singer. He has no intention of getting married, but when he goes to visit his Durga Mausi (Mausi=mother's sister), he falls in love with religious, simple Uma, by whose voice he's enchanted. He marries her and returns to Bombay where he announces that he will never sing without Uma again. However, Subeer encourages Uma to sing alone and when her popularity is soon greater than his own, the seed of jealousy begins to grow... The major difference between Uma and Subeer is that she sings for herself, whereas he sings for the public. It is the difference between geet and sangeet. This is the root of the thing that later causes problems, and based on which the movie is named.

Amar Akbar Anthony (1977)

A ex-convict must flee his mob boss, leaving his family to fend for themselves. His wife goes blind and his children are abandoned. They are adopted by a Hindu policeman, a Muslim tailor, and a Catholic priest. The Hindu-raised son becomes a policeman in his turn; his Muslim-raised brother becomes a singer; and the last son, played by Amitabh, becomes a happy-go-lucky Catholic who lives on the edge of the law. The boys meet again and their lives become entangled in an incredible plot full of unlikely coincidences and furious action sequences interspersed with songs. In the end, the grieving mother recovers her sight, the evil mob boss is punished, and the family is at last re-united.

Anamika (1973)

After being betrayed by the love of his life, who preferred getting married to another male settled in the USA, an embittered and heart-broken Devendra Dutt, author by profession, prefers to stay single. Then one day while driving home, he, his uncle, Shiv Prasad, and his secretary, Hanuman, come across a woman who was thrown out of a car. They find out that she is wounded, and take her home, and let her be examined by their family doctor, Irshad Hussain. The next day, the woman wakes up and claims that she is Devendra's wife. Perplexed and angered at this intrusion, Devendra would like her to leave immediately, but his uncle and Dr. Hussain persuade him to let her stay for a few days more. Shortly thereafter, an attempt is made to abduct this woman, and Devendra comes to her rescue, and subsequently falls in love with her, while she continues to believe that she is his wife. Then several incidents lead Devendra to believe that this woman, who he now calls Anamika, is really a prostitute by the name of Kanchan. Before he could confront her with this information, she disappears from his life. Will Devendra be able to find out the truth behind Anamika or Kanchan? Did Anamika really lose her memory or was all an act to ensnare Devendra?

Anand (1971)

A melodramatic tale of a man with a terminal disease. The story begins with Dr Bhaksar winning a literary prize for his book about a patient called Anand. The rest is flashback. Anand, the title character, is suffering from lymphosarcoma of the intestine. He, however appears to be cheerful on the outside and is determined to extract as much pleasure from his remaining lifespan as is possible. Dr. Bhaskar his physician tends to Anand in his last days. After Anand dies we can however still hear his voice which was recorded on a tape. Dr Bhakser writes a book on his patient and wins a literary prize for it

Baton Baton Mein (1979)

Rosie Perreira is an overly anxious widow, living with her guitar-obsessed son, Sabhi, and a lovely daughter, Nancy, who she would like to get married to a wealthy young man. Her helpful neighbor, Tom, introduces a young eligible Tony Braganza to Nancy in the 9:10 AM Western Railway local train from Bandra to Churchgate. Tom also asks Nancy to introduce Tony to Rosie, which she does. Rosie is initially apprehensive about him as he only drawing a mere Rs.300/ compared to Nancy's Rs.700/-, but soon changes her mind when she finds out that after his probationary period he will draw a monthly pay of Rs.1000/-. Nancy and Tom are permitted to meet and both eventually fall in love. While Nancy wants to follow her mother's directions and get married, Tony is hesitant, and this is what costs him Nancy's love, as she starts to feel that he will not come through with the marriage. And soon Rosie starts looking elsewhere for a son-in-law, while Tony is still reluctant to make any commitments.

Bidaai (1974)

After his business partner embezzles his money and leaves him penniless, Parvati's husband passes away, leaving behind two sons, Prabhakar and Sudhakar and a dumb daughter, Gauri, virtually on the verge of destitution, When Prabhakar grows up, he marries Pooja and decides to leave his aged mom, brother and sister, and move to the city. Years pass by, Sudhakar has grown up, has managed to complete schooling and is on the lookout for a job. He does get a job out of town and he re-locates. He is summoned home when his sister kills himself as she is not permitted to marry Murli. Eventually, Murli also kills himself. Then Sudhakar gets married to wealthy Padma and brings her home. Padma wants to be pampered and does not like playing second fiddle even to Parvati, which leads to disagreements in the household. Padma's pregnancy does not resolve any of the problems, and as a result Sudhakar & Padma end up leaving an ailing Parvati on her own and re-locate to Padma's Dharam Das's palatial house in the city. Weeks turn into months, months turn into years, Parvati is all by herself - with the question remaining who will bid adieu to her?

Chupke Chupke (1975)

Raghav brags that he can smell a rat or an impersonator automatically, and Dr. Parimal Tripathi decides to take him on - result: funny family slapstick comedy, with a dose of pure Hindi and Urdu thrown in, especially the dialogue delivery by Om Prakash, Dharmendra, and Amitabh Bachchan. Notable songs are :Sare ga ma, ma sa re ga ma...."; "Ab ke sajan sawan me, aag lagegi badan mein, ghata barshegi, magar tarsegi nazar, mil na sakenghe do mahn ek hi aagan mein..."; "Chupke chupke chal di purvaiya, basuri bajaike raas rachaye daiya re daiya, chupke...".

Deewaar (1975)

The movie tells the story of two brothers, Vijay and Ravi Verma, who follow different career paths: Vijay is a smuggler and Ravi the policeman who is asked to hunt Vijay down. Vijay Verma (Amitabh Bachchan) and Ravi Verma (Shashi Kapoor) are the sons of a trade unionist, Anand Verma(Satyen Kappu), who was defeated and disgraced by the management of his firm using his family as bait. Unable to bear the public disgrace father deserts the family, and the sons are raised by their mother(Nirupa Roy)who brings them to Bombay City, who suffers the trials and tribulations of a poor single mother. Vijay Verma, the elder brother, grows up with an acute awareness of his father's humiliation and is victimized for his father's supposed misdeeds. In the process of fighting for his rights Vijay, who starts out as a boot polisher and becomes a dockyard worker in his youth, becomes a smuggler and a leading figure of the underworld.